As IASPIS enters the year of its 30th anniversary, the programme launches common acts for grounded futures, bringing together artistic and curatorial practices attentive to the conditions shaping art today—embodied histories, shifting ecologies, infrastructures of care and control, and the politics that influence how life is sensed and lived.
From its position as an international platform, IASPIS asks how exchange can be rooted in practices of solidarity, reciprocity, and decolonial attention that support sustained and meaningful encounters. Initiated by Corina Oprea, IASPIS Guest Curator, the programme considers how artistic methodologies emerge from these conditions and how they cultivate forms of relation, responsibility, and imagination capable of opening new trajectories. Rather than assembling a retrospective narrative, the series creates a space where earlier institutional pathways meet contemporary urgencies—encounters that refract inherited histories, unsettle positions of power, and invite reorientation. Across 2025–2026, common acts for grounded futures unfolds as a dispersed and evolving ecology of gatherings, conversations, performances, sound-based works, and dialogical formats. It reflects on how artistic practices negotiate fragility, resistance, and interdependence; how attention can become a method; and how new forms of being-together might emerge through minor gestures and shared acts.
The first gathering on Friday, 5 December 2025 brings together María Berríos, Goldin+Senneby, Santiago Mostyn, and Roxy Farhat—artists and curators working across performative, sonic, narrative, and discursive fields. Their contributions consider how stories and images circulate, how technologies shape experience, how activism and artistic method intersect, and how practices of listening and repair can create shared grounds within conditions of uncertainty. This opening marks an invitation to inhabit the tensions, vulnerabilities, and possibilities that arise when artistic practices meet the pressures of the present. Through this unfolding process, IASPIS becomes a site for learning and unlearning, for returning and redirecting, and for cultivating conditions through which grounded futures may be sensed, assembled, and sustained collectively. Graphic design: Jonas Williamsson. Referencing IASPIS work by Andreas and Fredrika, Martin Frostner, Mattias Givell, Konst & Teknik, Johanna Lewengard, Mu AB and Åbäke through letterforms from three decades of practice.